the movie: The Piano, 1993
the meal: Grilled Halibut with Warm Cabbage, Onion, and Apple Slaw, Black Quinoa with Pine Nuts, Corn, Olive oil, Parsley and Lemon, Queen Mother's Cake

In 1987, NWHW became NWHM with the help of some good lobbying and Ronnie Reagan. (Thanks, Nancy.) And while the theme for this NWHM's 30th anniversary is writing women back into history, the three women who inspired their way into our hearts and blog need no rewriting because in our lifetime, they wrote the book, as well as the bottle, the movie, and the meal. Alice Waters, Maida Heatter, Jane Campion and Elena Walch mostly need little introduction, so we'll let this grouping of their oeuvres do the talking.

For a super side, I make a little black quinoa (just 15 minutes!) and toss it with olive oil, pine nuts, parsley and lemon as a salad-like toothy companion to the meaty hunk of grilled halibut. The slaw works very well as a tangy, savory and crunchy counter to the tender roasted fish, and the quinoa suitably grounds the plate in a sweet, nutty and earthy place that holds it all back from taking off.



I cannot imagine a better film to capture the essence both of a woman as well as the tumultuous arc of women’s history(which, granted, is a bit presumptuous coming from a guy). In The Piano, Jane Campion masterfully, aesthetically, and emotionally captures the charged spirit and soul of a woman while telling a painful story that, in a distilled form, reflects the narrative of women in history.
Ada McGrath is a mute woman in 1800’s New Zealand who, by virtue of her mail-order bride status, is shipped off to an unforgiving remote Maori area with the only two things she loves, her daughter and her piano, to become the wife of a man who is in no way her match. The piano is her muse and source of self-expression in an otherwise completely intolerant environment, and the establishment, in the form of the landowner who “bought” her, wrestles with the power and force of this independent and strong-willed person that simply refuses to play along.
While the peaking narrative arc of Ada’s story more likely captures the crystallized rebellious spirit of the women’s movement in the last 40 years, her life predicament is firmly grounded in the mores of our centuries old male dominated world. The intense unleashing and discovery of personal and sexual freedom in this movie is more powerful than I can describe. That Ada can emerge mostly whole in a narrowly avoided Pyhrric victory, and not only survive, but reinvent, as a more complete woman with a firm and accepted sense of self, is shudderingly beautiful. It makes my cheeks quiver with dampness.
The lyrical quality of the film, the wonder of each glaringly beautiful frame, the beauty of the haunting role of music as a main character, the awesome power and strength captured by Holly Hunter as Ada McGrath, the wisdom and complete vision of Jane Campion, and the utter imagination and creativity that envelope this difficult theme all make this movie one of the best all time for this blogger and husband.
Now go, cook, watch, eat and reflect on the savory joy of what it means to be a woman.
I wish I knew.
Recipes:
Grilled Halibut with Warm Cabbage, Onion, and Apple Slaw: http://bit.ly/dwx8Cd
Black Quinoa with Pine Nuts, Corn, Olive oil, Parley and Lemon: http://nyti.ms/3a8ial
Queen Mother's Cake: http://bit.ly/dqlOLr

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